Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Tuesday, August 18, 2009

A Whole Lotta Lolla


And on the first day, it rained...

On the way to Grant Park, Jon, Dan (who was visiting from Florida) and I stopped to pick up ponchos. Turns out, everyone else had the same idea many hours earlier, so they were sold out. We probably should have planned a little better, but tons of people had already assured me, "It never rains at Lollapalooza."

I can't lie...I was grumpy. I didn't deal well when I came to the realization that I was going to be wet and cold and sticky for the next nine hours. The final straw came when I noticed that I'd forgotten the camera battery at home. I was outta there. Luckily, the three-day wristband allows for re-entry and we live a fairly short walk (about a mile) from the park. I decided that there was no way I was going to miss getting pictures of Depeche Mode, because who knows when I'll get to see them again?

I went home, dried off, changed from jeans into shorts (rookie mistake with the jeans), spent a few minutes of quality time with the cat, put on some more comfortable shoes, grabbed an umbrella and remembered the battery this time around. I was really surprised that they were even allowing umbrellas into the festival, considering their unwieldiness when it's windy and the fact that they would clearly get in the way at a concert, but I suppose it's a good thing they did.
Ever worn glasses in the rain?

And so, Friday began with a drizzle, continued with a slight downpour and ended with the parting of clouds just in time for Depeche Mode. I was alone in the crowd for this one, as Jon, Dan & Nick wanted to check out Kings of Leon first. Fine with me, as it's easier to make your way towards the front if you're only one person. The crowd around me was surprisingly polite and in so many ways the exact opposite of the Flaming Lips experience at Pitchfork.

DM played a good set...I would have liked to see more old stuff in there, but I understand that they have an album to promote. It's not that I dislike their latest work, I just don't know it as well and am obviously not as emotionally connected to it. Regardless of what they played, I thought they sounded great and Dave Gahan was as much of an entertainer as always. I saw them about 10 years ago and I couldn't find any sign (performance-wise) that they'd aged a whole decade, which says a lot.

Jon and Dan had tickets to see the Arctic Monkeys' aftershow (or pre-show, considering they played Lolla on Saturday) at the Metro later that night, so I took the opportunity to head home, clean up, and go to bed somewhat early. I'm glad I did, because I've now been to two Arctic Monkeys' concerts with Jon, neither by choice, and the audience is always 80% dudes, and rowdy dudes at that.

Saturday and Sunday were, in two words, hot and sticky. There were lots of ladies in bathing suits and shirtless men, which made for a sweaty mess when you're standing in the middle of hundreds of them. The lines for the water fountains were longer than the lines for the toilets and on Sunday, they even began giving out water bottles for free around 2-3pm (when the day was at it's scorchingest).

While I forgot the camera battery on Friday and vowed to be more careful next time, I somehow managed to forget my memory card on Saturday. At least we had two cameras, so Jon took his and I was left to roam without one for a while. I spent a lot of Saturday by myself. This may sound sad to some, but I really relish being able to find a little bit of solitude in the middle of all the chaos. As is typical, when I find myself alone at Lollapalooza, I tend to migrate over to the dance stage. I don't know why this is, since in my everyday life I listen to very little dance music, but for some reason I love it live. Talk about sweaty masses...everyone at this stage is jumping and grooving all day long, no matter the temperature. The crowd seems to pulse with the repetitive beats coming from the stage, merging and becoming a sea of glistening bodies, with surfers riding the waves of hands to shore.

If you've never spent time alone at a music festival without a camera, these are the sorts of things you notice and think about. It's poetry, really, and there is no way to capture it in words or images. I say try and check it out for yourself if you get the chance one day. I've been to festivals in England by myself before and it really does change everything about the experience. It's amazing how much more you remember about the day when your focus is more on the event and less on the individuals around you. I'm not saying I didn't enjoy my time with Jon, Dan, Elisa, Nick and anyone else I spoke to on any of the days. On the contrary, I think I was able to enjoy the conversation and company more once I separated myself from it for a while. Everything is better with a little bit of balance, isn't it?

Speaking of Elisa, I spent a good amount of time on Saturday and Sunday with her and I must say it was really really nice to be around someone who is so interested in and knowledgeable about all types of music. She seemed to run into a ton of people she knew as well, which I always find odd in such big crowds (I did hear from one of my co-workers that he saw me there, though, so I guess it's possible even for people like me, who don't know a ton of music lovers in Chicago).

I met up with her after Glasvegas and we got some frozen kefir (Starfruit), which was somewhat flavorless but refreshing and absolutely necessary on such a hot day. She was with me for my favorite moment of the weekend, which I posted last week, and actually took that picture of me with Glasvegas, which makes me smile every time I think about it. They were really nice and I got a kiss on the cheek from James after gushing about how much I adore them and how excited I was to see that they were playing Lolla. I joked with Jon afterwards that the first time we saw them I got a kiss on the hand, and the second time I got a kiss on the cheek, so he better watch out for someone trying to make out with me the next time we see them! I make this promise right here, right now, and you can hold me to it. Every time Glasvegas are playing here (or in any future city I live in), I will go see them. They are that good.

I'm not going to get into details about everyone I saw. That would take far too long and would bore the pants off of me and anyone brave enough to read through all of it. Instead, I will try do Twitter-sized reviews for the major ones:

@Band of Horses: Continuing to play opposite the festival headliners & organizers for 10-15 minutes takes major balls! See you @ Pitchfork next time ;)

@Lou Reed: Causing Band of Horses to go on 20 min late b/c you're a "perfectionist" loses you cool points in my book. Good to see u still kickin', tho.

@The Killers: You sounded better last time I saw you, but your energy made up for it. Too bad the drunkies around me didn't like your stories.

@Perry Farrell: Really? Your "special guest" was your wife? Really? Or was it her obscenely short dress? Cos *that* was actually pretty special...for dudes.

@Ben Folds: I'm sorry I didn't fully enjoy you because of my dreary mood. Next time, I promise!

@Kaiser Chiefs: I heard you were the highlight of the weekend for many. I feel bad now that I was so far back & couldn't see. I'm a hot weather wimp.

@The Hood Internet: Way to blow up the dance stage, guys! Seriously. Local boys represent!

@Tool: I wouldn't say I was ever a fan of you, but you sounded amazing. How is Maynard so soft-spoken with pipes like that?

@Prophit: You were certainly energetic and entertaining, but I liked you more before I found out you were Perry's nephew.

So if for some reason you haven't yet seen my hundreds upon hundreds o' pictures from the weekend, I give you the official Lolla photo roundup (The Facebook sets include some of the ones that are on Flickr, but Flickr doesn't include a lot of the ones that are on Facebook...get it?):
The best news is that we already have tickets for next year thanks to Jon, Dan and the $60 SUPER early bird sale last week. I'm buying a poncho in advance (and maybe an extra camera battery)! See you there?

Sunday, May 17, 2009

Somewhere Only We Know

Keane came out swinging last night and by the end of the evening, had knocked us all out. I'm always surprised when I remember that they only have three albums, because the sheer number of memorable, catchy, beautiful songs in their repertoire trumps some bands that have been around for ages.

It was, by far, the loudest show I've ever been to on this side of the pond. I can't even think of a close second. I'm going to generalize here and say that I've noticed American crowds (as a whole...there are always pockets of enthusiasm, usually towards the middle-front) just aren't as "into it" as most British crowds. This probably has a lot to do with the (mostly British) bands I choose to see, but it's what I've encountered. Chicago crowds are a bit better than Florida crowds, though. Sorry, Florida! Anyway, for the first time, I didn't necessarily feel like I was in America while I was at a concert. Somewhere in the middle of their set, lead singer Tom Chaplin, who was fairly chatty throughout the night, proclaimed:
"I think it's fair to say that this has been the best show of our tour so far."
[After about a four minute applause break]

"Now I just have to figure out a way to shut you all up so we can sing the song!"
You can just tell when a band enjoys a show. To say that Keane were appreciative of the audience would be an understatement. They gave us back all the love we gave them and more. Chuffed is the best word I can think of to describe their mood. Something that's always fascinated me is the way that concertgoers and bands play off of each other, because I think every band is different in that respect. I've been to gigs where you can tell that the artist would put on the same exact show no matter what the audience's reaction was. Then there are times like last night, where you can see that the band is feeding off of the reaction of the crowd and their energy actually builds and the show becomes even better than anyone ever thought it could be. This was the perfect synergy (Perfect Symmetry?) that we all experienced at the beautiful Aragon Ballroom. The room that Tom said made him feel like he was "at Disneyland"...which, of course, makes it the happiest place on Earth.

There was a sad moment when Tom made reference to some issues that had prevented them from coming back to Chicago sooner. Keane, of course, had to cancel their last U.S. tour because of drug problems, which he didn't specifically address, but the implication was obviously there. He looked good. Happy, energetic...I always want to use the word sprightly to describe him, but that's just because he's so darn adorable. Keyboardist Tim was also all over the stage and headbanging in his sparkly shirt. They were so much fun to watch. I must make quick mention of how sweaty Tom was by the end. It was really incredible. Literally head-to-toe.
So although I was tired as HELL from my early morning and hours of working out earlier in the day at the SELF Magazine Workout in the Park (which I will write about soon, because that was #2 on my list of things I need to put in my blog), I had no problem finding the energy to rock, thanks to the band and the crazy crowd. This was my second time seeing Keane, but my first time seeing them with Jon, so it was extra special. If you don't know their music, you can check out some of their stuff on YouTube, including a song that has quickly become my workout jam, Spiralling. I would love to embed a video here, but I'm finding more and more that the function has been disabled by the record companies. I don't really understand the thinking behind that, because either way, people are hearing about their bands and checking out their music, but what can you do? They're worth a little clicking around, though.

Thursday, April 23, 2009

All I Want to Do is Rock

Somehow, in between all of the weird medical problems I've had over the past few weeks (Don't worry, I won't get into it here because who wants to read about that?), I've managed to see three concerts, a live performance of This American Life at the Chicago Theatre, celebrate a friend's birthday and my four-year anniversary with the boyfriend.

Before I say anything about any of that, though, I just want to give a shout-out to @Glasgowgirl, who posted a link to my blog on a Glasvegas forum. While it's kind of strange to think about anyone actually reading anything I write, I hope at least one or two people enjoyed what I had to say in my last entry. I just had to share my love and excitement for the show and the band in general.

So let me get started by talking about yet another Scottish band. Rounding out my Scottish music trifecta for the month, we have (Primal Scream, Glasvegas aaaand...) Travis. Yes, we saw Death Cab for Cutie the night before we saw Travis, but do I really need to talk about Death Cab? What is there to say? Ben Gibbard was ridiculously thin. I wouldn't have recognized him on the street, that's for sure. They sounded great, they played a really nice set, the opening acts (Ra Ra Riot & Cold War Kids) were good as well. The crowd was a strange mix of concertgoers. My feet hurt a LOT by the end.

(Jon's Death Cab/Cold War Kids/Ra Ra Riot pictures on Flickr)

But let me get back to what I really want to talk about (Sorry, Death Cab! I love you. I do.). We didn't even have tickets to the Travis show. Neither Jon nor I were ever in love with their two most recent albums and the tickets were more expensive than most, so we decided to skip it...until he took a look at Craigslist and found a really sweet deal from some hockey fans who chose the Blackhawks playoff game over the concert. So, we went.

(The Republic Tigers)

The opening band, The Republic Tigers, impressed me enough that they are now on my iPod. Everyone around me enjoyed them, especially when they sang this cover of Blondie's 'Heart of Glass' with a falsetto that rivals Tim Burgess.

Then Travis came on and all hell broke loose. Lots of surprises. Halfway through one of their songs (forgive me for not being able to remember which one), Fran completely stopped the music. He apologized and informed us that every time he put his mouth to the microphone, he was being shocked. In the mouth. He sort of chastized whoever it was that was supposed to fix the problem, which apparently had been happening in sound check as well. They put a new, dry foam cover on the mic, to which he rolled his eyes and made a comment about it getting wet again in no time. I was suddenly struck with a feeling that the show would be cancelled right then and there. Luckily, Fran persevered and it wasn't. Needless to say, the rest of the show, I felt really really bad for him because I know it was happening a lot. They eventually rigged some sort of cover for it, but you could tell it didn't work. Occasionally I'd look up and catch him trying not to get too close to the microphone as he sang. I'll tell you what, though...it didn't affect the quality of performance at ALL.

Surprise #2 came when the band introduced a guy, who had contacted them on MySpace and asked if he could come to the show (all the way from Dallas) and propose to his girlfriend on stage. She is apparently a really big fan and it was a really sweet moment. They then got to sit on the stage, right in front of the drum kit, during 'Humpty Dumpty Love Song'. They then dedicated the next song to a woman in the audience (who had also contacted them online somehow) who was eight months pregnant. If I ever get to see Travis again, I'm totally writing to them beforehand. I just need a good story.

(She said yes.)

Surprise #3 came during the first song of the encore. Sick and tired of being electrocuted, Fran came out with his guitar, told us all to be very very quiet, and sang us a song sans-mic and amp. I don't know if the people in the back of the Vic could hear anything, but where we were, it was magic. I was shocked at how quiet everyone actually was. Jon took a video...sideways...



The rest of the encore was played in the usual manner, but they skipped the very last song that was on their setlist (I'm guessing because Fran was over the whole microphone situation). Unfortunately for Jon, it's one of his favorite songs that they skipped.

(Random lady showing off her setlist)

I don't know how to describe why they were so good live. They had an energy that few bands I've seen have. They were jumping and climbing and rolling around on the floor and then climbing some more, and just generally rocking out. I missed seeing them at V2002 due to injury (the band's, not mine), but I don't mind that any more. I'd much rather my first time be exactly as it was.

What else happened?

1) The full, official Lollapalooza lineup was announced on Tuesday. I know it's going to be a good time. No Blur, but I knew that possibility was gone weeks ago. Looks like I'm going to get to see Glasvegas again!

2) Wednesday was my four-year anniversary with Jon. We had a delicious dinner at what is fast becoming my neighborhood go-to restaurant, Hackney's.

3) We saw This American Life live on stage this past Sunday. It was interesting to see these people that I listen to all the time. Mike Birbiglia always has great stories, and the one he told for this show was no different. The real star, though, was Dan Savage. He told a story about his mother's passing. Every time he got choked up, I got choked up. There is something so strange about someone standing in front of a crowd, talking to them about such a personal experience.

4) I've been on some serious antibiotics all week, which has made me loopy and tired and has me feeling like I'm in a daze.

5) I haven't mentioned the Mates of State/Black Kids/Sunbears show. It was fun, but I feel like it was so long ago now that I don't know what to say about it! It's been less than two weeks!!! I'm getting old and forgetful. I haven't even uploaded the pictures yet. Oops. I'm spoiled and I know it.

6) It's supposed to be 80 degrees this weekend. THAT is news.

Tuesday, April 07, 2009

Welcome to Glasvegas

I've been spoiled lately as far as concerts go. Last night was no exception. If you haven't heard of Glasvegas, you're not alone, but look out because that may change very soon. It's not that I wasn't looking forward to seeing them live...it's just that I didn't really think about it much in advance. Look at my last post. I mention the show almost in passing. Do you see where I'm going with this? I had little to no expectations, but when all was said and done, they BLEW MY FREAKING MIND. Maybe it's the lack of sleep resulting from the later-than-usual show and this all will wear off tomorrow, but today, they're all I want to listen to. I have a musical crush, and I have fallen hard.

(More pictures HERE)

Last night was the first time I've been to Bottom Lounge. It's huge. There's the main bar, the actual music venue, the upstairs bar and a large patio. Each of these spaces is easily the size of most other bars and restaurants I've been to in Chicago. I don't know what the "cool kid" consensus is on Bottom Lounge, but I thought it was a great space and I'd go back and see a gig there any day. Most of the venues here are old theaters, which is nice, but this place is more like a warehouse in the middle of nowhere. It's a beautiful warehouse, mind you. With good music.

Both of the opening acts that were originally scheduled pulled out, or something else happened to them to make them disappear. So we got Von Iva. They're a rocking female three-piece from San Francisco (which they made sure to point out between every song). The lead singer had a bit of a Karen O. vibe going for her, and girl can sing! She wore short shorts and thigh-high boots and looked like she could (and would) beat the shit out of anyone who got in her way. I love a good frontperson, and that she was. I haven't had a ton of great luck with opening acts lately, but I think I might have to check them out.

I discovered Glasvegas about a year and a half ago though, of all places, MySpace. I was at a point where I felt stagnant musically and was trying desperately to seek out anything new that might make me feel like my go-to bands make me feel. At the time, they didn't have an album out, but I got ahold of their EP and loved it. When their album came out, I have to admit, I didn't listen to it for a while. I put it on the backburner because I was listening to a lot of "winter music" like Ryan Adams and just wasn't ever in the mood. When I finally did give it a fair shot, I liked it, but only listened once or twice and again forgot about it. It was only when Jon bought us tickets to see them a few months back that I put it on rotation in my iPod again.

They're Scottish. They have some of the thickest accents you've ever heard in music (completely different from Primal Scream), but somehow, even if you don't understand all of the words, you get what they're saying. They have such an interesting range of sounds, from slow acoustic to dark, almost electronic, to garage punk. I was hoping that their album would translate well live, and it did. What surprised me the most about the show, though, was the crowd. I think it surprised the band too. There were a few times when the lead singer, James, looked pretty genuinely touched that everyone (at least where I was standing) was so into it.

During the last song of the set, 'Daddy's Gone', he stopped singing and let the crowd take over, which, I must say, we succeeded in doing and then some. We were suddenly at a football match, chanting along, one big happy chorus/family/group of fans all cheering for the same team to succeed. Yes, this happens at concerts with some frequency, but for a relatively unknown band playing in America (I don't listen to the radio, so if they are on the radio regularly, then color me dead wrong, but I don't think they are) with the aforementioned heavy accents, it must've been pretty mind-blowing, no?



On a side note, I do find it a little weird that the biggest sing-along of the night (there were other, less intense sing-along moments during 'Go Square Go' and It's My Own Cheatin Heart That Makes Me Cry') came during a song that is so personal and painfully beautiful. As someone who openly admits to having some pretty legitimate daddy issues, 'Daddy's Gone' has always given me goosebumps as I listen alone in my headphones. So what was it like belting it out in a big crowd of people with the author of those words looking down on us? The only way I can think to describe it is cathartic in the most awkward way possible. Glasvegas -- therapists in training? Perhaps. Anyway, back on track...I'll never forget the looks on the faces of the band during that song in particular. Smiles that said, "Fuck yeah, we're doing it!" It was a great thing to be a part of. They thanked us, said something nice about Chicago, and James proceeded to kiss the hands of the women who were close enough to the stage to be kissed (mine included, which made me more than a little red in the face, I'm sure) and shake the hands of the guys.

(This is one of those moments where he kind of looked in awe of everything. Hand on head, mouth hanging open, etc. It was adorable.)

After they left the stage, we said hello to some people we knew and chatted for a while before taking off. Walking back to the train I was giddy. We ran into the lead guitarist, Rab, who I didn't even notice until I heard Jon say hi to him. He was still wearing his t-shirt and jeans, despite the 30 degree weather, which makes him tougher than I'll ever be, and chatting with some chick. I had no desire to bother him or intrude, so we did gave him the obligatory "Great show...you guys are awesome...hope you enjoyed your first time in Chicago" and crossed the street to head up to the Green Line.

We made it home pretty late and by the time I got ready for bed and settled down it was already 2am. Today was rough, but it was all worth it. I can't stop gushing about what a great time I had. I haven't properly gushed about a concert since...Stereophonics*? Don't get me wrong, I've enjoyed all of the concerts I've been to in Chicago, it's just that I expect more out of some of them than others.

*I 've liked the Stereophonics for years and years, but I'd seen them before, in 1999 and 2002, and found them pretty boring. Maybe it was the venue, but when I saw them last year, they were a different band completely. Really really great and a pleasant surprise indeed.

So if you ever get the chance to see Glasvegas, take it! Tickets to our show were only $15, so they're affordable and worth every penny. If you have a few bucks to spare after getting your tickets, buy their album. I don't have to convince you to buy their album, because if you see them live, they'll convince you to buy their album.

I think you'll be hearing about them for decades to come. Allan McGee likes them, they make great music, and they are already making headway in the U.S. Not only was 'Geraldine' used in a Rhapsody commercial that was on TV regularly last year, but 'Daddy's Gone' was featured pretty prominently on last night's episode of Chuck -- fuck-word and all.

Wednesday, December 17, 2008

Snowing like a mother!

It's been coming down all day. It has to be about 6 inches total. I know a lot of people had 2-3 hour commutes to only go a few miles. 3.5 hours according to one friend on Facebook. Speaking of Facebook, I added these pictures and a few more to my Winter set. I just don't think it does them justice, though. Seriously, just click on any of the ones below to see them full-sized. The "Night Landscape" function on my camera is so weird. It makes everything look like a yellow/orange-tinted version of daytime. They do come out pretty clear if you balance it on something, though. Not too bad for a little pocket Kodak in my opinion.

These were taken on the roof of our apartment building. There's a little park up there where dogs are not allowed, so we figured it was as safe a place as any to roll around in the snow and not get a poopy surprise on our boots or coats.

Anyway, I'm off to bed. Happy Mid-December everyone. Can't believe I have at least 3-4 more months of this! Ack.